90 credits of compulsory modules 30 credits of optional English modules
a You must select 30 credits from this list of optional English modules; you may not choose EAS1034 Film Studies An Introduction
Compulsory modules
Code Module Credits
EAF1501 Major Debates in Film Theory 30
EAF1506 Interrogating Screens 30
EAS1035 Beginnings English Literature before 1800 30
Optional modules
Code Module Credits
EGLS S1 CH opt 2022 [See note a above]
EAS1034 Film Studies An Introduction 15
EAS1037 The Novel 15
EAS1038 The Poem 15
EAS1041 Rethinking Shakespeare 15
EAS1044 Imagine This Prompts for Creative Writing 15
120 credits of optional modules
Subject to selecting 120 credits overall in the stage you must
b select 30-60 credits from this list of optional Film Studies modules
c select 30-60 credits from this list of optional English modules English modules in stage 2 are divided into three groups Group 1 modules concerned with pre-1750 literature; Group 2 modules concerned with post-1750 literature; Group 3 modules not concerned with a particular historical period Combined Honours students may not take more than one module from each group
d select 0-30 credits from this list of other Humanities modules or from outside of the programme You may only select one of the two modules HUM2000 or HUM2001
Optional modules
Code Module Credits
FTVS S2 CH opt 2022 [See note b above]
AHV2013 Photography and Evidence 15
AHV2017 Art and Climate Change 15
EAF2502 Shots in the Dark 30
EAF2508 Cinescapes Time Space and Identity 30
EAF2510 Adaptation Text Image Culture 30
EAF2511 Television Times Trends and Technologies 30
EAF2512 European Cinemas Art Industry Entertainment 30
EGLS S2 Group 1 pre-1750 opt 2022 [See note c above]
EAS2026 Desire and Power English Literature 1570-1640 30
EAS2036 Theatrical Cultures in Early Modern England 30
EAS2071 Chaucer and His Contemporaries 30
EAS2080 Renaissance and Revolution 30
EAS2102 Satire and the City English Literature 1660-1750 30
EGLS S2 Group 2 post-1750 opt 2022 [See note c above]
EAS2029 Revolutions and Evolutions 19C Writings 30
EAS2103 Modernism and Modernity Literature 1900-1960 30
EAS2104 Crossing the Water Transatlantic Literary Relations 30
EAS2106 Romanticism 30
EAS2112 Empire of Liberty American Literature 1776 to Present 30
EAF2502 Shots in the Dark 30
EAF2510 Adaptation Text Image Culture 30
EAF2511 Television Times Trends and Technologies 30
EGLS S2 Group 3 non-periodised opt 2022 [See note c above]
AHV2017 Art and Climate Change 15
EAS2031 Creative Writing Building a Story 30
EAS2032 Creative Writing Making a Poem 30
EAS2035 Serious Play Creative Writing Workshop 30
EAS2089 Creative Industries Their Past Our Future 30
EAS2090 Humanities after the Human Further Adventures in Critical Theory 30
EAS2113 Culture Crisis and Ecology in a Postcolonial World 30
HUM2004 Making a Career in Publishing 15
HUM HUM2000-HUM2001 [See note d above]
HUM2000 Humanities in the Workplace 30
HUM2001 Humanities in the Workplace 15
Typically any placement will take place in Year 3 If you are not taking a placement please see the Final Year modules for 3
30 credits of compulsory dissertation 90 credits of optional modules including 30-60 credits of English modules and 30-60 credits of Film Studies modules
e You must choose either EAF3514 Film Studies Dissertation EAF3516 Creative Film Dissertation EAS3003 Dissertation English or EAS3122 Creative Writing Dissertation you cannot choose more than one module from this group
f If you select EAS3003 or EAS3122 you must take 60 credits from this list of optional Film Studies modules
g If you select either EAF3514 or EAF3516 you must take 60 credits from this list of optional English modules
Compulsory modules
Code Module Credits
EAS3003 Dissertation [See note e above] 30
EAS3122 Creative Writing Dissertation [See note e above] 30
EAF3514 Film Studies Dissertation [See note e above] 30
EAF3516 Creative Film Dissertation [See note e above] 30
Optional modules
Code Module Credits
FTVS SF CH opt 2022 [See note f above]
AHV3003 The Face 15
EAF3106 Female Screens Representation Agency and Authorship 30
EAF3501 American Independent Film 30
EAF3508 Beyond Sex and the City Becoming a Woman in Western Cinema 30
EAF3513 British Screens 30
EAF3514 Film Studies Dissertation 30
EAF3515 Something to See War and Visual Media 30
EAF3516 Creative Film Dissertation 30
EAF3518 Queering British Film and Television 30
EAF3519 Cinema in the Anthropocene 30
EAS3420 Staging Space Dramatic Geography and Audience Experience 30
EAS3421 Picturing the Global City Literature and Visual Culture in the 21st Century 30
EGLS SF FTVS CH opt 2022 [See note g above]
AHV3003 The Face 15
EAS3131 Advanced Critical Theory 30
EAS3167 James Joyce's Ulysses 30
EAS3179 Life and Death in Early Modern Literature 30
EAS3181 Visual and Literary Cultures of Realism 30
EAS3182 Encountering the Other in Medieval Literature 30
EAS3191 Writing for Children and Young Adults 30
EAS3194 Resource Fictions Oil Water and Conflict in the World-System 30
EAS3195 Acts of Writing From Decolonisation to Globalisation 30
EAS3196 Charles Dickens Novelist Journalist and Reformer 30
EAS3198 The Death of the Novel 30
EAS3219 Virginia Woolf Fiction Feeling Form 30
EAS3225 'Reader I Married Him' The Evolution of Romance Fiction from 1740 to the Present 30
EAS3253 Modern Irish Literature Rebels and Radicals 30
EAS3228 Romance from Chaucer to Shakespeare 30
EAS3234 Citizens of the World 30
EAS3237 The Rise of Science 30
EAS3245 The 21st Century Museum 30
EAS3311 Piracy in Early Modern Literature 1570-1730 30
EAS3312 Adventures in Technique Poetry 30
EAS3408 Poetry and Politics 30
EAS3414 Jane Austen In and Out of Context 30
EAS3415 The Development of British Childrens Literature 30
EAS3416 Feeling Bodies Emotions in Early Modern Literature and Culture 1500-1700 30
EAS3417 Sex Scandal and Sensation in Victorian Literature 30
EAS3419 Writing South Asia 30
EAS3420 Staging Space Dramatic Geography and Audience Experience 30
EAS3128 Writing the Short Film 30
EAS3421 Picturing the Global City Literature and Visual Culture in the 21st Century 30
HUM3016 Book Publishing Principles of Book Commissioning Editing and Design 30
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